Oliver Herring didn’t have a clue what he’d create, or with whom, when the Brooklyn-based artist arrived at the University of Colorado Denver’s Emmanuel Gallery a month ago to build a site-specific installation with complete strangers. But then, the rail-thin, articulate and intensely focused German-born Herring rarely does when he takes on a community-based art project, and he takes on a lot of them: “I have even been called a post-studio artist, but that’s just circumstantial,” he says, pointing to his exhaustive years on the road facilitating gallery collaborations internationally.
Read full article at Westword